"Childhood is a knife in the throat that does not remove easily." And 'This is the text of Nawal, Lebanon now living in Canada. But his legacy is quite another. E 'in the search of this legacy spiritual and not material that runs the source of the deep roots of life of two children. Roots in war, violence and cruelty. A thread that binds the children to their parents and vice versa, brothers sisters, beyond the boundaries of time and perhaps of life itself. "The woman who sings" is a film raw and sweet at the same time. Talk of ancestral ties, almost Freudian, yet is concrete, direct, powerful. Why is not afraid to show blood, the dead, the machine guns. The tears that will melt in the dry earth at the foot of the olive trees. And in the background, the sunsets in the Middle East rocked by the muezzin.
But certainly not afraid to denounce the attempt to what can become absurdly paradoxical world war, and point of no return that darkness can push human beings.
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